Breakdown: 1975 Soundtrack (2025)

2025
11 Lieder

Dieser Guide identifiziert derzeit 11 Lieder aus Breakdown: 1975 (2025) mit Szenen und Verwendungsarten, soweit verfügbar.

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Soundtrack-Songs aus Breakdown: 1975

  1. Love To Love You Baby
    Donna Summer
    Szene / Details

    Plays during the opening sequence and a montage of New Year's 1975 celebrations.

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  2. Bird Song
    The Holy Modal Rounders
    Szene / Details

    Plays during a segment discussing "New Hollywood" and the success of counter-culture films like Easy Rider.

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  3. Psycho Killer
    Talking Heads
    Szene / Details

    Plays during a discussion about social isolation in America and the character Travis Bickle in Taxi Driver.

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  4. Theme From Shaft
    Isaac Hayes
    Szene / Details

    Plays during a section focused on the success of Blaxploitation films and their impact on the film industry.

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  5. I'm Feeling Good About America (Gerald Ford)
    Oscar Brand
    Szene / Details

    A campaign-style song playing during a segment about President Gerald Ford and public efforts to restore trust in the presidency.

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  6. Breakdown
    Tom Petty and the Heartbreakers
    Szene / Details

    Plays during a montage examining the "American nightmare" and the disillusionment of the era.

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  7. Jocko Homo
    DEVO
    Szene / Details

    Performed by the band Devo; plays during a segment about the rise of computers and technology as a source of both progress and oppression.

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  8. Love Will Keep Us Together
    Captain & Tennille
    Szene / Details

    Plays during a discussion about the shift from political television like All in the Family to nostalgia-driven shows like Happy Days.

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  9. You're The Top - (From "Anything Goes")
    Cole Porter
    Szene / Details

    A Cole Porter musical number starring Burt Reynolds, used to illustrate the era's focus on lighter, nostalgic entertainment.

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  10. Why Can't We Be Friends?
    War
    Szene / Details

    End credits.

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  11. Assault on Precinct 13
    John Carpenter
    Szene / Details

    Rising street crime drove audiences toward self-defense and vigilante "revenge-amatics". Films like Death Wish turned Charles Bronson into an aspirational hero for an angry, paranoid public.

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